#Solo malayam movie skin

It is also, if you think about it, unnecessary. The religio-mythological referencing in Solo is strained and ineffective. The other moments of self-consciousness come in the unconvincing effort to connect Lord Shiva and the elements to Shekhar, Trilok, Shiva and Rudra, and to weave the figure four into the fabric of their lives. Sadly, it detracts from the natural flow of this section. This is the only place where Solo becomes self-conscious right in the middle of a narrative.

If the portrayal of Ayesha is one of the filmвЂ™s lacunae, the fault lies not with Venkatesh but with the cinematography and direction in the few seconds that she is on screen.

#Solo malayam movie skin

There is also something slightly discomfiting about the focus on her body, her bare skin and her curves, before and after a tragedy befalls her. The camerawork in this portion is painfully overt in its effort to present her as a cute darling sort, as if that was necessary to convince us that her death would be a huge loss to those who loved her. The only artiste constrained by this filmвЂ™s grandeur is Arthi Venkatesh playing an accident victim called Ayesha in Trilok and JustinвЂ™s short. Anson Paul delivers a neatly nuanced performance as Justin, a man wracked with guilt at a choice he once made against the dictates of his conscience, as does Sruthi Hariharan who displays her substantial range in travelling from nagger to victim to sexual being to conflicted woman hopelessly in love within the span of the few minutes available to her. Of the young lot, Sai Dhansika stands out for her performance as ShekharвЂ™s lover Radhika and because she too is a Mercury-level knockout. Veterans Suhasini Maniratnam and Nassar who play RudraвЂ™s parents live up to their reputations. The supporting players are just as good, and include stars in their own right. Each of his characters is styled distinctively (Shekhar, for instance, has long hair), but they are distinguishable from each other even without that because of the actorвЂ™s subtly changing body language. When the realisation settles in, by the third short a viewer is waiting for an unexpected turn of events, but the expectation is not a distraction and does not eclipse everything else that is going on, nor is any revelation predictable.ДQ is excellent throughout, pulling off sensitivity, innocence, cruelty and heartbreak without the effort being apparent. There is a surprise in each one, but no twist feels contrived. Each segment is well-rounded for the most part. And Lieutenant Rudra Ramachandran of the finale is determined to marry the woman he loves despite opposition from her family, including her brigadier father who could destroy his career as revenge.Д®ach short is presented as a representation of one of the elements - Water, Wind, Fire, Earth each character as a representation of that element as manifest in Lord Shiva, and bearing one of the beloved deityвЂ™s many names.ДЄs standalone shorts, they work well. Then comes Shiva, a violent gangster who is protective towards his little brother and roughs up the mother of his child. Next, he is Dr Trilok Menon who rescues an accident victim on a lonely road. Stills from the film with (clockwise from left) Sai Dhansika, Arthi Venkatesh, Neha Sharma and Sruthi Hariharan.ДЇirst, he is Shekhar, a musician with a speech impairment and an interfering family, in love with a dancer who is blind.

He is what he is and ought to be: an actor playing a partвЂ¦ well, four parts.Дulquer plays four different characters in Solo. Salmaan does not overshadow all else here. In NambiarвЂ™s hands though, Solo is not star-struck, not designed simply to show off a young superstarвЂ™s beauty and talent, not painfully conscious of his presence or overwhelmed by it. Too many filmmakers ruin potentially good projects by behaving like fanboys rather than helmsmen. Nambiar handles the central artiste in his cast as any director should treat a gifted performer: with respect but not reverence. Too hot to handle? Jokes (meaning, that hormonally charged first paragraph) aside, actually not. That is what writer-director Bejoy Nambiar has done in his new release Solo, an anthology of short stories written jointly by Nambiar and Dhanya Suresh, with DQ - as he is popularly known - playing the protagonist in each. Now imagine someone bringing Mercury down to earth, cloning it to generate four blazing balls of fire and packing them into a single film. The film has been simultaneously made in Tamil.)Дulquer Salmaan is as hot as I imagine the planet Mercury must be. (Note: This is a review of the Malayalam version of Solo.